![]() ![]() For each note, it was necessary to carefully adjust the phase of the two signals manually, since the signal of the amplifier significantly lagged behind the DI signal. The instrument remained with natural sound, without the need for tuning. The “Bass Boost” knob of the piano’s piano was set to 1, and the volume knob was set to 9. This particular Rhodes piano was relatively melodic, but some post-processing to equalize pitch was necessary to equalize the difference of each note by +/- 2 cents. ![]() The DI samples are relatively clean in comparison. The sound of the amplifier can be heard in the AMP sample, since the Fender Reverb Deluxe is a noisy amplifier, even without a signal. There were sampled DI releases as well as amplified signal, but the release of the amplified signal sounded a bit inappropriate, therefore it was decided to include only DI releases. The piano was sampled through the Radial Pro 48 DI direct box, and the signal was sent to the Fender Deluxe Reverb amplifier, recorded relatively clean with the AEE R84 Ribbon Mic and the AEA TRP Preamp.Įach of the 73 notes of the piano was sampled 3 times on 10 layers of velosity. ![]() ![]() The entire keyboard was wrapped with foil, which effectively eliminated EMI noise. Description : Adam Monroe Mark 73 Electric Piano sampled instrument 1976 Rhodes Mark I Stage Piano. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |